Two Sisters by Sarah Davachi is a collection of extended compositions for chamber ensemble and solo pipe organ including carillon, choir, string quartet, low woodwinds, and trombone quartet, alongside sine tones and electronic drones. 



The Canadian-born and Los Angeles-based composer has prowess in both analog and digital mediums, and has centered her practice around the push and play between the two. Her records are largely about the art of making, whatever instruments at her disposal often inform the intent before she shapes them into tangible statements of purpose. They also are largely about Davachi as a musician: Recurring motifs and approaches appear across her body of work. While some of that comes naturally to modern classical music, it's clear that there is intention behind these moves. Her latest LP entitled Two Sisters continues this practice to great effect.



Sarah Davachi is an artist that understands the power of conceptual thinking. The title is borrowed from dialogue in the 1981 film Possession in which Isabelle Adjani’s character describes her psychological state as being a battle between “two sisters of faith and chance.”  While not directly inspired by the content of the film itself, Davachi applies a like-minded intention in two fold with the instrumentation and sequencing. Far from a concept album in the traditional sense, Two Sisters is instead another demarcation of her continued mastery of composition.

Tracklist:
1. Hall Of Mirrors
2. Alas, Departing
3. Vanity Of Ages
4. Icon Studies I
5. Harmonies In Bronze
6. Harmonies In Green
7. Icon Studies II
8. En Bas Tu Vois
9. O World And The Clear Song